• REEL
  • FEATURED
    • COMMERCIAL & MUSIC VIDEO
    • DOCUMENTARY
    • FASHION & BEAUTY
    • NARRATIVE
    • NEW MEDIA & SOCIAL
    • ABOUT/CONTACT
    • RESUME
    • PRESS
Menu

BRENT BARBANO

CINEMATOGRAPHER
  • REEL
  • FEATURED
  • WORK
    • COMMERCIAL & MUSIC VIDEO
    • DOCUMENTARY
    • FASHION & BEAUTY
    • NARRATIVE
    • NEW MEDIA & SOCIAL
  • ABOUT/CONTACT
    • ABOUT/CONTACT
    • RESUME
    • PRESS

Backstage Acquires ShareGrid to Expand Opportunities for Creatives →

September 30, 2022

Focusing on ShareGrid’s Full Frame Lens Test →

September 30, 2022

ShareGrid & Old Fast Glass Ultimate Full Frame Lens Test →

September 30, 2022
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Meet Brent Barbano of ShareGrid →

July 17, 2019

Today we’d like to introduce you to Brent Barbano.

So, before we jump into specific questions about the business, why don’t you give us some details about you and your story.
I’ve been a filmmaker and cinematographer in Los Angeles for 12 years now, but in 2013, I saw a need in our industry that hadn’t been met yet. Both my colleagues/friends and I had invested in a lot of equipment, as a cinematographer tends to do. Cameras, lenses, lights… the list goes on. Gear in our industry is not cheap. These are steep investments that typically never offer a full return monetarily, and with technology quickly evolving, gear has been going out of vogue faster than in previous years.

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In Articles/Print, ShareGrid
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No Film School: ShareGrid PRO and The Ultimate Lens Library →

June 6, 2019

ShareGrid Pro allows you to accept bids for lists of items.

The peer-to-peer equipment rental marketplace ShareGrid is adding more tools to their platform of over 70,000 users. Now users can post public wish-lists of gear they need for a shoot, their allotted budget, and rental houses and ShareGrid members can place bids (privately) on the job. This new attempt at connecting filmmakers and equipment owners is a welcome addition to their platform, though I'm seeing a lot of lowballing on Pro listings so far. ShareGrid Pro is not what it sounds like: some kind of subscription upgrade — it's completely free for all ShareGrid accounts.

In ShareGrid, The Ultimate Lens Library
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Black With No Cream Podcast →

June 3, 2019

This week’s guest is Brent Barbano an insanely talented and experienced DP – and also a founder of the gear rental platform ShareGrid! Brent’s portfolio and resume is insane. He has worked with virtually every major brand and network you could think of off the top of your head. In this episode we learn about Brent’s experience in film school, starting his own production company while working a 9-5, and how he managed to climb the DP ranks working with some incredible clients. We get an inside look into how he came up with the idea for ShareGrid and hear an insane story about how he found out that two other people had come up with the same idea as him… You definitely don’t want to miss out on this one!

In Podcasts, ShareGrid
1 Comment

Aputure: Product Lighting | Commercial Cinematography 101

March 22, 2019

Product lighting and cinematography is a necessary skill for any commercial cinematography. However, not all products and brands are the same, so you need to be able to tailor your lighting style and production design to each brand, as well as each product. Matte and reflective products have very different lighting considerations, and some brands will require a brighter, high-key look, whereas others work with a cinematic, moody vibe. Today, cinematographer and co-founder of ShareGrid, Brent Barbano, shows us several tips and examples for how to approach product cinematography, in this case with beer bottles.

In this episode, Brent teaches us how to approach product lighting and cinematography, specifically with beer bottles. These bottles are typically made out of amber colored glass, and are reflective, so careful consideration has to be used when planning the lighting and production design to complement the materials and colors. In our first example, we move the camera on a Dana Dolly while using a variety of colors and rectangular sources to enhance the shape and colors of the bottle. In the second example, we actually use the Dana Dolly to move the lights, while the camera remains stationary, for a cinematic reveal.

Brent also talks about the importance of making the product look as good as possible, by paying attention to every detail such as the colors on the label and how to complement them with lighting and production design. He also shows you how to light reflective products by manipulating the physical shape of light sources. Brent also discusses some amazing tips such as how to use glycerine to give bottles a refreshing, cool condensation look, and how to make bottles look like they're glowing.

Through learning how to light and cinematically shoot product commercials, you'll be able to open up more doors in commercial cinematography. You'll learn how to craft your lighting to enhance the desired features of a product, and make these products and cinematic commercials memorable.

In Videos

Aputure: Color Contrast Lighting | Advanced Cinematography Techniques →

March 17, 2019

Color contrast gives cinematographers the ability to enhance the visual interest of their images dramatically. Just like the contrast between highlights and shadows, the contrast between various colors is an advanced technique for adding cinematic depth to a film. Color contrast can be utilized subtly for a nuanced effect, or dramatically to create an incredibly stylized image. Cinematographer and Co-Founder of ShareGrid, Brent Barbano, shows us several tips and examples for using color contrast in your lighting.

In this episode, Brent shows us how to effectively inject color contrast into our visuals based on a scene's story and location, using two different examples. In our first example, we tackle mixed color temperature lighting, as we combine daylight and tungsten-balanced lighting to create a unique effect, with a subtle amount of color contrast that still creates enhanced visual interest. In our second example, Brent utilizes more saturated colors to light a musical performance, combining red and teal colors, and discusses how the color wheel is more of a guide than a steadfast rule.

Brent also talks about the importance of using color contrast and lighting to enhance the themes of your story, how to choose complementary colors from the color wheel, and how to embrace the practical limitations of your location in your visuals. By understanding the nuances of each of these tips, you will be able to enhance the cinematic quality of your films dramatically.

By learning how to use color contrast in your cinematography effectively, you'll be able to unlock new creative avenues and enhance the depth of your story and cinematic visuals. You'll learn how to embrace the unique depth that mixing color temperatures brings to your image, as well as how to use stronger saturated colors in a controlled manner, so you don't cheapen your images.

In Videos

Syracuse University at Sundance 2019: Panel

January 26, 2019
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In Panels/Events
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American Cinematographer Magazine: Vice Article

January 10, 2019
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In Articles/Print, ShareGrid, The Ultimate Lens Library
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No Film School: ShareGrid Launches a Buy & Sell Marketplace

October 23, 2018
In ShareGrid
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No Film School: 7 Pre-Pro Tips That New Cinematographers Should Learn

August 29, 2018
In Panels/Events
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The Most Thorough Anamorphic Lens Test Ever is Here

August 29, 2018
In The Ultimate Lens Library, ShareGrid

StudioBinder: 7 Cinematography Lessons For Filmmakers

August 29, 2018
In Videos

Premium Beat: Four Reasons You Should Be Renting Your Gear Out on ShareGrid

August 23, 2018
In ShareGrid
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NoFilmSchool: Rental Houses Will Now Compete Online to Equip Your Project with ShareGrid PRO

June 12, 2018
In ShareGrid

Premium Beat: Streamline Your Next Production with Live Rental Bids from ShareGrid PRO

June 11, 2018
In ShareGrid

Mandy.com: Benefit of Renting Your Gear Out

April 20, 2018
In ShareGrid

American Cinematographer: Options in Optics (Sundance 2018 Panel)

February 20, 2018
In Panels/Events
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No Film School: How Lens Choice Affects Documentary Work

February 1, 2018
In Panels/Events
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